Some writing teachers make a rule for stories submitted in workshop: No dreams. No dream sequences. They make this rule because badly written dreams are all the same. They “show” a character’s inner torments/thoughts rather than artfully imbedding them into the narrative. But if fiction is, in any way, supposed to imitate life, then dreams are fair game. The question is how to write them well.
Paul Yoon has written one of the best dream sequences I’ve ever read in his new novel Snow Hunters. You can read the first chapter here. The dream begins at the bottom of page 16.
How the Story Works
The passage begin with Yohan falling asleep and hearing sounds through the open window:
“the tapping of the rain and voices and a car and then a ship’s horn. A single chime of a church bell. a door opening. A song on the…
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